Question : Can I use Alpha® Ceramica Buff completely dry without using any water?Īnswer : No. Question : What tools should the Alpha® Ceramica Buff discs be used on?Īnswer : Alpha® recommends central water-feed polishers such as the Alpha® AIR-680 and VSP-320. Question : What is the RPM range at which I should use the Alpha® Ceramica Buff?Īnswer : Ceramica Buff should not exceed 4,000 RPM. Question : In what sizes are Ceramica Buff offered in?Īnswer : Alpha® Ceramica Buff discs are available in 3”, 4” and 5”. Using Ceramica Buff on engineered stone may over-heat the engineered stone causing the material to turn white. The purpose of using Ceramica Buff is to generate heat build-up to create high gloss and color on natural stone. Ceramica Buff should not be used on engineered stone material. Question : Can I use Alpha® Ceramica Buff on engineered stone material?Īnswer : No. Question : What materials can I use the Alpha® Ceramica Buff on?Īnswer : Alpha® Ceramica Buff is designed for use on granite and some marbles. The Alpha® Ceramica Buff is for wet granite hand polishing. A consistent performer, the professional quality provided by these discs, is unmatched. For an especially super high gloss, use both the black and white discs in sequence. Black Buff is the only disc that will successfully bring up the shine on the black granites such as Black Pearl and others. Available in black for dark stones and white for light colored stones, Alpha® Ceramica Buff is the only disc capable of achieving the better than factory finish that Alpha® Ceramica has become known for. Alpha® Ceramica Buff is a heat compressed disc that combines these powders with a natural fiber in a flexible disc. Tin oxide and aluminum oxide are powders that have been used for years for the final polishing process. Monumentalists are ecstatic about the deep glossy finish, which their customers demand, that only Alpha® Ceramica Buff can give. Tile contractors are amazed by the difference between a polished edge and the super gloss that only Alpha® Ceramica Buff provides. Fabricators easily achieve superior results with the Alpha® Ceramica Buff. By using this disc in your polishing process, no dangerous chemicals are necessary to achieve a high final polish. The utilization of a natural process to bring out the glossy shine is exclusive to these pads. Unlike the rest of the Alpha® Ceramica product line, a large amount of water is not required. (If you are reading this via email, please click on the article title link below and add a comment on my blog.Alpha® Ceramica Buff is the key to the difference from a standard polished edge to a deep glossy finish. Please let me know in the comment section below. I intend to create some watercolour-themed articles in the coming weeks so would love to know if there is anything specific you would like me to discuss. So this is a big emphasis in my Watercolour course which we will be going through again soon – starting on 15 March. Many sketchers tell me that they struggle with this when sketching with watercolour (especially when out on location). How important it is to be able to consistently create watercolour washes with the right amount of pigment and water. When I have done this before I swapped it out with Lavender.Ģ. I’ve done this in the past and survived so maybe it would be good to try this again. I so rarely use Buff that maybe I should try removing it from my palette. Putting this blog article together today is making me think two thoughts:ġ. Here is an example of using these mixes (from Foundations – live demo from Lesson 10)Īnd another example that clearly shows the pigment parties in action mid-sketch! See more photos of this sketch here.īTW all these examples are done on Stillman & Birn Alpha paper – so imagine how much more watercolour magic you can achieve using true watercolour paper! It’s amazing how much variation you can create with these three colours! I also use this three-colour combo for more juicy washes – varying the proportion of each colour and adjusting the pigment-to-water ratio.įrench Ultramarine and Transparent Red Oxide mixed without MANS is also a favourite combo when doing watercolour sketches of buildings. To create this I use a good amount of pigment and plenty of water! These three colours create wonderful lively washes – what I call ‘pigment parties’ – on my page. MANS – Monte Amiata Natural Sienna (Daniel Smith) TRO – Transparent Red Oxide (Daniel Smith) I normally prefer a more lively result.Īnd so I generally create my own Buff mix using three favourite colours in my palette:.it’s so opaque and can easily make washes murky.I regularly get asked about the light beige/ cream washes that I use for many of my building sketches and whether I’m using Buff Titanium (by Daniel Smith).Įven though I love Buff I rarely use it in mixes because
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